Table of Contents
EF 8-15mm f/4L
The distortion on a high-quality, super-wide lens can enhance your image, if you know how to use it, and the EF 8-15mm f/4L provides a good example of how you can have a fisheye effect that’s still very sharp from edge to edge.
Sigma 50-100mm f/1.8 Art
The Sigma 50-100mm f/1.8 Art boasts a fast aperture all the way out to 100 mm, making this an ideal choice for portrait artists and headshot photographers who prefer a shallow depth of field. Its skin tone reproduction is exceptionally creamy.
EF 24–105mm f/4L II
If you want something that you can mount on your DSLR at the beginning of the day and never have to swap out, the EF 24–105mm f/4L II is likely your best bet. Its internal image stabilizer will buy you up to four stops of added performance.
EF 24-70mm f/2.8L II
One of the most useful options in the company’s lineup, the EF 24-70mm f/2.8L II offers a focal length that opens up just wide enough to capture most interior spaces, and pushes it to the brink of the telephoto range, all at a fast, constant aperture.
EF 100-400mm f/4.5-5.6L II
If you need something with a little extra telephoto reach for your next safari, or even just to capture the memorable moments at your child’s soccer game, the EF 100-400mm f/4.5-5.6L II can take your field of view into the action.
RF 15-35mm f/2.8L USM
The RF 15-35mm f/2.8L USM is the company’s premiere wide-angle option for their EOS R and RP bodies. It provides an ideal focal length range for shooting a small indoor event or for capturing breathtaking photos of landscapes.
EF 11-24mm f/4L
Wide-angle shooters will appreciate the EF 11-24mm f/4L , the furthest end of which edges out the comparable model from Nikon by a full 3 mm. That little bit of extra width goes a long way when shooting in tight quarters or trying to make real estate photos pop.
RF 28-70 f/2L USM
The RF 28-70 f/2L USM has an extra-wide aperture that makes great use of the particularly large opening at the front of the company’s new mirrorless full-frame bodies. It’s an excellent choice for low light conditions or to create a dramatically shallow depth of field.
EF 16–35mm f/2.8L III
Both event and landscape photographers will be able to find a great number of uses for the EF 16–35mm f/2.8L III , as it can get pretty wide without much barrel distortion. It’s also an excellent choice for filmmakers shooting on DSLRs.
EF 70-200mm f/2.8L III
The EF 70-200mm f/2.8L III is one of the finest pieces of glass on the market, with an autofocus system whose speed and accuracy are outstanding. Its ultrasonic motor operates nearly silently, making it perfect for those who don’t want to spook their subjects.
