10 Best Macro Lenses For Canon

EF-M 28mm f/3.5

EF-M 28mm f/3.5

Built for the company’s M series, the EF-M 28mm f/3.5 has a crop factor of 1.6, meaning that it performs at an effective focal length of 44.8 mm. That’s not bad for certain types of close-up photography, and its build quality is admirable.

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Sigma 18-300mm f/3.5-6.3 DC

Sigma 18-300mm f/3.5-6.3 DC

It’s rare to get great close-up results from a zoom, let alone a superzoom, but the Sigma 18-300mm f/3.5-6.3 DC manages to offer near-macro magnification in an all-day package. It’s a workhorse option that’s only limited by a relatively slow aperture.

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RF 35mm f/1.8 STM

RF 35mm f/1.8 STM

The fast aperture on the RF 35mm f/1.8 STM makes it a great choice for use in low-light situations, and it can create very soft, alluring backgrounds on the company’s full-frame mirrorless bodies. Its 1:2 magnification ratio is a little disappointing, though.

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Sigma 105mm f/2.8

Sigma 105mm f/2.8

The Sigma 105mm f/2.8 is built with glass that corrects both chromatic and spherical aberrations. Featuring optical stabilization and a lightning-fast automatic focus that can always be overridden by manual mode, you’re all but guaranteed sharp results.

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Sigma 70mm f/2.8

Sigma 70mm f/2.8

The Sigma 70mm f/2.8 comes from the company’s Art series, and its results live up to that moniker. Its built-in distance guide makes it easy to set up at the perfect spot to get your subject in focus and filling the sensor frame.

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Tamron 90mm f/2.8 DI VC

Tamron 90mm f/2.8 DI VC

The Tamron 90mm f/2.8 DI VC offers some of the best color rendering and edge-to-edge sharpness that you’re liable to find from a third-party manufacturer. Its build quality is also surprisingly high, so you can handle it with confidence.

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Canon Tilt-Shift 90mm f/2.8L

Canon Tilt-Shift 90mm f/2.8L

The perspective control functionality of the Canon Tilt-Shift 90mm f/2.8L allows you to make subtle adjustments to the way your subject relates to its background, as well as the way things like buildings and bridges stand out against their environments.

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Irix 150mm f/2.8 1:1 Dragonfly

Irix 150mm f/2.8 1:1 Dragonfly

Shooters comfortable with manual focusing stand to gain a lot from the Irix 150mm f/2.8 1:1 Dragonfly . It comes in at a great price, offers exceptional image quality, and handles like a professional piece of glass. It even includes a handy tripod mount.

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EF-S 35mm f/2.8

EF-S 35mm f/2.8

For those looking to capture minute details in low-light situations, the EF-S 35mm f/2.8 features a built-in LED ringlight, the left and right sides of which can be dimmed and brightened individually. It can create a nice catch light in your subject’s eyes, as well.

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EF 100mm f/2.8 L

EF 100mm f/2.8 L

Built with ultra-low-dispersion glass, the EF 100mm f/2.8 L is ideal for shooting portraits with a shallow depth of field. It features internal image stabilization, a fast and accurate autofocus, and a magnification ratio of 1:1.

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