Table of Contents
EF 100mm f/2.8 Macro
With its telephoto reach and closeup capabilities, the EF 100mm f/2.8 Macro provides shooters with an incredibly versatile tool for their storytelling needs. It’s also a surprisingly inexpensive option for how much use you’ll get out of it.
CN-E 14mm T3.1 L
Film students trying to emulate Terrence Malick will be comfortable shooting entire movies on nothing but the CN-E 14mm T3.1 L . It’s an outstanding wide-angle model, though it’s rather heavy at nearly three pounds, and it suffers from some barrel distortion.
EF 35mm f/1.4 L II
The EF 35mm f/1.4 L II is wide enough for a master shot, and its close focusing distance of just under 1 foot makes it a viable option for your medium and closeup angles, as well. With its fast aperture, you can get good results without a lot of available light.
CN-E 135mm T2.2 L
An impressive telephoto prime, the CN-E 135mm T2.2 L is a wise selection for those looking to capture their subjects from a distance. This kind of focal length can also help sell a fake punch by making it look closer to hitting, if shot from the right angle.
EF 16-35mm f/2.8 III L
The wide-angle zoom range of the EF 16-35mm f/2.8 III L makes this the kind of lens you can mount on your DSLR and use all day long. It’s great in adverse conditions, as well, as it boasts a high level of dust and water resistance.
CN-E 85mm T1.3 L
While it isn’t the most versatile choice out there, the CN-E 85mm T1.3 L is probably your best bet for a traditional closeup. It’s just a bit tighter than the human eye’s central viewing angle, so it tends to add a subtle, but flattering, distortion to faces.
CN-E 24mm T1.5 L
If you want a wide-angle option that doesn’t veer into fisheye territory, you’ll appreciate what the CN-E 24mm T1.5 L has to offer. It’s a great choice for tight quarters, and its fast aperture is a boon in low-light settings.
CN-E 50mm T1.3 L
You can get very flattering closeups of your subjects without resorting to a telephoto model by using the CN-E 50mm T1.3 L . It will also allow for a little more of your background to stay in the shot, and works particularly well with a 2.39:1 aspect ratio.
RF 15-35mm f/2.8 L
Built for the company’s innovative lineup of mirrorless, full-frame cameras, the RF 15-35mm f/2.8 L boasts an incredibly versatile focal length range. With a little ingenuity, it could be the only glass you use for an entire shoot.
CN-E 35mm T1.5 L
The CN-E 35mm T1.5 L offers one of the most useful focal lengths available. It’s capable of capturing a large amount of interior space, but can also serve as a great closeup option by simply shortening the distance between the camera and your subject.
